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NEWS: SCADIANS! Ms. Ardis finished her novel!!!!!

SCA-appeal

Help Publish Book “Dracula’s Sword”

DO YOU RECOGNIZE THIS MAN?

SCA-dians choose their personal “identities” and construct their “histories” from any time between 600AD-1600AD and from anywhere—Irish Celts, the British, continental Europe, Russia, Mongolia—even Japan.

Yet one crucial area seems surprisingly overlooked: Southeastern Medieval Europe. From the 10th century on, when Magyar horsemen took Hungary, this corner of the world was a crossroads of nations. By the 15th century Bulgaria was an Ottoman pashalik, the rest of the Balkans principalities Turkish vassals. North of the Danube Wallachia and Moldavia were directly threatened, Hungary, Transylvania and the German Empire at risk.

This man was in the thick of it. He was VLAD DRACULA, PRINCE OF WALLACHIA. Our historical novel, Dracula’s Sword, tells his whole exciting and

tragic story: from boyhood through his 7 years as a Turkish hostage, his three desperate reigns in his princedom and eventual death at the hands of an ally he trusted—Told by his lifelong friend—his second wife.

His Christian enemies called him a berserker. His Ottoman opponents named him  Tsepesh Bey—the Impaler. That epithet still clings to him today. Vlad Dracula was a hard man, but the times he lived in were much harsher.

Fellow SCA-dians–WILL YOU HELP US SET THE RECORD STRAIGHT?

That is what our historical novel, Dracula’s Sword, co-authored by A.A. Welch. and M. Sass, hopes to do. We have found a possible publisher; they read our draft and are very interested—but they are a small independent company. To get Dracula’s Sword underway we need at least $5,000 to cover up-front production costs.

Mark and I are setting up an appeal like this to every SCA Kingdom in America. SINCE THIS IS NOT AN OFFICIA L SCA VENTURE (Although even the Society President has given us encouragement) we are sending this appeal through each Kingdom’s unofficial chat room website. A small donation– say– $5, $10–$25– from individual Society members–or whatever you feel Vlad’s story is worth– would be much appreciated. Such small donations from many individual members of the Society for Creative Anachronism would help us enormously! Reply directly to our:

Go Fund Me Page Link:

https://www.gofundme.com/f/help-publish-book-quotdracula039s-swordquot

ABOUT THE AUTHORS ==================

Ardis A. Welch (Lady Szilagy Margit, Kingdom of Atlantia, Barony of Bright Hills)

I have been a SCA member for over 25 years: drapier of halls for events, editor of our Baronial newsletter.

I recently did several “show and tell” presentations: one on medieval calligraphy and a display–

Lore of the Unicorn” at our recent Baronial Birthday. ===================

I’ve been working with my co-author Mark for almost that long! I did the research and

mostly wrote draft—in long-hand—I can’t think and type: that’s why I ‘m a SCA-dian!

Then I went to a computer—which is why it took us so long to complete the book.

Mark Sass

Mark is not a SCA-dian. He owns and runs (single-handed) an exercise -equipment repair service for

individuals and large gym facilities. He understands 21st century technology. Fortunately for Dracula’s Sword,

Mark also has a keen and ruthless editorial eye – plus an almost uncanny sense of what Vlad Dracula, prince and warrior, would actually feel and say and do.…..

Mark in costume, on horseback, bears an uncanny resemblance to the 15th century prince Maybe that’s why he understood Vlad so well.

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Why are book listings so strange?

When looking for a book online the customer will stumble across a lot of abbreviations and strange words. Not that the words themselves are strange, but they don’t fit into the context very well.

The book has some minor foxing and is dogged.

Does that mean the book was part of some hunting expedition? Or is it saying that the book is all dressed up , yet ugly?  If one continues to read the listing the odds are there will be more than just the one comment. One might see..

 The book has some minor foxing and is dogged. DJ is G-/G with minor tears and fraying on edgs & corners. covs are dinged, glt letts is catted and somewhat marked. Minor fading on spine, w/sl foxing on interior. 

One might wonder if one has discovered some forgotten or  unknown  language and one would be almost correct.  This is an example of the book code language that sellers have been using since the beginning of writing to explain any differences between two identical works.

The reasons behind code are simple: time, space and money. A bookseller tends to have hundreds of items to sell, and must write, or type, all of the important information that the seller must know to create a visual image of the item so that the item does not get returned. This can take a lot of time to do. Even in these days of online selling, there are character limits  per item. Thus some things will be shortened. That leaves money. In the centuries past postage and paper was expensive, so requesting& listing books of a certain caliber held priority. But what if the copy of the very rare title The Sexual Appetites of Voles in the Springtime that one has to sell is not as pristine as the other three copies in existence?  How can one afford to describe it and still make money? What if you happen to have 15 pristine copies of The Worms I saw in My Midden and Other Epic Poems by Hermits with Lisps to off load and want to move them quickly?This situation occurred even into the 20th century when newspaper ads were charged by the word, and in some journals by the letter.  Well the sellers all had to agree to a code of abbreviations. This took a while as everyone had their own particular ways of doing so and was even worse when crossing the language barriers. With a few exceptions, the code has been unchanged for over a hundred years. But to they layman who only wants a book to read or give away this is akin to gibberish.

But why, does one ask,  do the booksellers not just take a photo?

I have over 3,000 titles that I am attempting to catalog and sell online. This is not as simple as just one photo per book. Some rarer books might have several problems that would require several photos and on most selling platforms there is a limit to photos per book and how much space those photos take up on the bandwidth. So for now the words will suffice.

Now you, dear booklover, might be wondering “Just what did that description mean and are those real books?”

I must confess that the first one, to my knowledge is not a real title. The second I found when I was 16 in a dusty resale charity shop. It was a self published booklet from 1885 and has gotten lost during one of the many moves I’ve made in the decades since.

And yes there was a love poem about the worms.

“Worms wiggle blindly into my heart from the baked goods you gifted upon me in the early days of spring, and with the waning summer of your affections they drift down drowning in my gutts solely to dance in naked glory in my midden at the sight of dawn.”

(Why do I remember that? )

Now on to the description.

The book has some minor foxing and is dogged. DJ is G-/G with minor tears and fraying on edgs & corners. covs are dinged, glt letts is catted and somewhat marked. Minor fading on spine, w/sl foxing on interior. 

If written fully out this is the description:

The book has some light tan speckles (or spots) due to the ageing process on some of the pages, while some of the pages have had the corners folded over for long periods of time. The dust jacket (or dust cover) is in somewhat good or good condition due to the age and use. There are rips in the edges that are less than a centimeter, but are noticeable and the corners & edges are worn enough from removing from the shelf that the paper is wearing out. The covers of the book have small marks on it, the gold colored lettering of the title have small scratch marks  and is worn. The color is lighter on the spine of the Dust Jacket than the rest due to sun exposure, and there are some tan spots on the non printed side. 

If being charged by the word this book’s price has now tripled.

So what good is this to you, the book lover and buyer?  Knowing the defects is good as you can know what you are getting.  So below you will find a list of the common terms and the definitions  to aid you in your purchasing.

Descriptions

RC/P/G-/G/G+/VG-/VG/VG+/NF/LN/N    Reader Copy/Poor/Good-/Good/Good+/Very Good-/Very Good/Very Good+/Near Fine/Like New/New

This is the list of general condition the book is in. From worst to best. Reader copy meaning you can still read it, but that is the only thing you can say about it. It might be missing a cover, it might have pages that are warped, but you can still read it. New is the best. New is fresh off the printer.  All of the other ones are subjective, and will have other descriptions included.

DJ/DC Dust jacket/Dust Cover

Used interchangeably, this refers to a separate, most often glossy, decorative paper that covers the book preventing damage to the boards.

Boards/Bds 

This is the cover of the book.

FEP or Free End Pages

This is the blank two or three pages at the front and back of the books. Most of the time this will include the one glued to the boards. This is where people tend to put a bookplate.

Dec ep or Decorative End page

This is when there is some art on the feps that was included by the publisher.  If it is a colored random pattern it is called Marbled or Mbld.

Sp or Spine

This is the slightly rounded part of the book where all of the pages are glued or sewn together.

Gutters

This is where the cover creases naturally when opens.

Foxing 

Tan spots caused by decaying paper

sunning

When the colored art or the boards or Dust Cover are lighter than the rest due to sun exposure.

Tanning

When the pages have darkened from white/off white to any shade of tan to dark brown due to age.

Gilt

Gold colored metallic (sometimes sparkling) lettering on the spine or covers.  Silvered Gilt is silver colored.

Dogged

Creasing that occurs when a corner of a page  folded like a dog ear.

Frayed

Happens in corners and near rips when the boards are worn enough that the threads are wearing out (like distressed jeans)

Ex-Library or Ex-Lib

This is a former library book. It is normally covered in library stamps, stickers and codes. Sometimes the DJ is in a plastic mylar cover (which is for cover protection) and it is taped to the book.

 

 

There are are many more and in the next post more will be explained.

 

 

 

 

 

 

 

 

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New arrivals and events

In the last month a fair amount of titles involving women’s history have arrived into stock. They are steadily being placed on on our biblio.com page.  Please drop on by and see what is new there.

 

https://www.biblio.com/bookstore/e-campbell-tallahassee

 

If you will be in the Tallahassee area and want to see what has not been placed online yet, please feel free to contact me via this site and set up an appointment.

I will also have a table of design, and craft books at the Last Friday at Industrial Plaza event on January 31 from 5pm to 8 pm.  Hosted by Properchannel.co

https://www.facebook.com/ProperChannel

I hope to see you then.

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A Brf Hist o Abbrev. (A brief history of abbreviations)

Used book dealers tend to use unusual terms in the descriptions of their wares. There are many reasons for this “code” but the main one is that booksellers do not, as a rule, make a lot of money. Up until the advent of the internet, if one wanted to sell books outside of easy traveling distance there were two choices.

1: Hire a book scout: someone with a list who knows how to determine the condition of the book and will find and deliver it for a fee.

2: Place an advert in an industry newsletter or magazine.

The first option was normally used for general items that were needed all of the time. For example if a resort wants “beach reads” a scout will be sent out to find the titles that fit the category in the fall and deliver them by end of winter. The scout will be reimbursed for the titles and given a set finder’s fee. If one is utilizing many scouts, there is a massive issue of duplication and the scouts could be buying books that the resort might not want. This will lead to a glutting in the market of some titles/subjects in local resale shops as the scout must get some money from them. Another issue is that the scouts are only being paid a small finders fee. Thus they tend to search near their homes or while on personal trips. Which will result in a gleaning of the area.

This is why most stores or buyers (like resorts, libraries or offices etc) would utilize scouts from different regions or would go on costly book buying trips themselves.

The second option is to place an advert in an industry newsletter or magazine. Of course they would also place one in the local classified pages, if they wanted whole collections of mass media books (like romance or Clancy), but for anything specialized they went to the industry papers.

Thing is, unlike a craigslist ad (which booksellers use today), you have to pay for a classified advert. Usually by the letter, font size and the frequency it is being placed. So if it costs $10 for an advert to be placed twice a week at 2 cent per letter it might not sound like much. But is it?

Here is an example.

My latest arrival is a book by Irene Claremont de Castillejo titled Knowing Woman: A Feminine Psychology. This is a paperback, printed by Harper & Row Colophone Books in 1974. I would like a first or second edition, with limited wear & tear and no writing or owners marks in the interior.

Seems simple. Now lets take the important information out of that and place it into an advert form.

Wanted

Irene Claremont de Castillejo

Knowing Woman: A Feminine Psychology.

Harper & Row Colophone Books 1974

1st edition or 2nd edition only

No interior writing or exterior damage.

Contact: E. Campbell @ 555-111-2222

33 words, 215 characters.

$4.30 for this one book, extra for the larger bolded font in the word Wanted. 172 characters without the header and the contact information. So if there are more books to be listed the cost for this one is already at 3.44$ Thus an advert for a lot of specific titles will probably cost more than the bookseller could sell them for.

After all we do have to eat.

So things got shortened.

Wanted

I. Claremont de Castillejo

Knowing Woman: A Fem. Psy.

HarperRow Colophone 1974

½ ed o

cl. int/ext

Contact: E. Campbell @ 555-111-2222

94 characters and $1.88

It can be shortened even more.

Wanted

I. Claremont de Castillejo

Knowing *

HarperRow 1974

½ ed

VG+

Contact: E. Campbell @ 555-111-2222

58 characters and $1.16. Which means that the bookseller can triple or quadruple the price, pay for the advert, get enough to cover the price of the title and still keep the cost down so that it will be bought. The * refers to any book by the author with the previous word being first in the title.  The * after the author’s name would mean that any book by that author & publisher  is needed.

Of course when one is dealing with antiquities and the issues the befall them, along with the variants involved ( it is leather bound, but cow is different from swine and ages differently depending on the dye used, and the process used to cure it.) a set code of terms or a sub language was needed. (Sub language is defined as a specialized language or jargon associated with a specific group or context. While slang is a type of language that consists of words and phrases that are regarded as very informal, are more common in speech than writing). This was started with the booksellers and was gradually picked up by the publishers. It used to be country specific and also genre specific, but over the decades it has developed in to a general system that allows the reader to understand the condition of a title without a visual image.

This sub language is easy to understand once it is explained. Sort of like text speak. In another post I will list the various words and their meanings. This way you, the reader, and hopefully the buyer, will understand what the heck we are saying during the description, so that the end result is a book you want to have on your shelf.

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Problems with this site/my computer and other items

I have received a large collection of religious themed book and am attempting to move them as a bulk sale on ebay.  I am working on finding a local (Tallahassee Fl) location to sell my books in a brick and motor store. I ave been also setting up a temporary sale site.

This has all been hampered by my computer being too old to host most sites. More items will be posted soon.

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Future

I have been attempting to get a sale space set up for a private sale. This involves a multitude of boxes, shelving and organization.

More books are being posted on the Abe website.

Also trying to post photos.

In addition more blogs will be coming weekly.

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Lexile Scores and Reading Levels

If you are looking at children’s books for school you might notice a Lexile Number at the back. “A Lexile measure is a valuable tool for teachers, parents, and students. … The higher the Lexile measure, the higher the student’s reading level. The reader’s Lexile Framework works in intervals of five with 5L being the lowest. The highest possible measure is 2000L.”

But what exactly does that mean? What is a good score for a grade level?

https://www.graniteschools.org/curriculuminstruction/english-language-arts-secondary/interpret-sri-scores/

The thing is, Lexiles measure a book’s complexity by a painfully literal algorithm of sentence length, word choice, and syntax.

To be fair, it’s only meant to be a rough guideline rather than some iron-clad dictum or curriculum. And any teacher knows that a work can have a low Lexile difficulty while being thematically unsuitable for younger readers. But still. How can Hemingway be lower than Mr. Poppers Penguins?

What are your thoughts on this? Should the complexity of the subject matter mean more than the vocabulary?

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Weather and your books

Now that the weather is becoming more extreme the question that comes to mind, after how am I to survive  is how will my collections be safe?

The more droll among us would say that not living in a place where there is extreme weather would be good, but let’s face it. Extreme weather can and will happen anywhere.

There are two things that can be done and must be completed before the evacuation orders are sent out.

1: Keep a list of your items, with photos on a drive for insurance purposes 

 You will never get the true value of the items back from your insurance, but it will help. Also it is a good way of proving what you had, what you need to get again and what condition it was in so that it can be fixed. Update this list when ever you buy something new or every month so that it is up to date. Keeping a record of where you got the items will help as well. Please remember to keep the drive in a weather safe (fire safe) that can be taken with you.  Do not keep in a bank vault.  Why? Well if a flood and storm destroys your home, how secure is the local bank’s vault?They may be burglar proof, but water? The link below tells the story of how one bank had to deal with the contents of the vault after Katrina. 

15. Moldy money vault

2: Get containers. 

Okay this sounds simple. Put your collections in to containers.  But here at Unique Editions Reads we have over 4,000 titles.  Packing these items will take hours. And sometimes you don’t have hours. Sometimes you don’t have enough container or even the correct ones.

So what can you do?

Height. First off if you have your collection in a storage unit get some pallets. I prefer wood, (eco friendly, recyclable) but plastic ones don’t rot. Line the bottom of your storage unit with them Two to three levels high if you can. Most flooding is between 6 inches and  2 feet. Keeping things high enough will prevent them from being soaked.

If you have your collection in your home, put them on a higher secure surface, like in taped cabinets or on a strong steady table.

Look for square containers of equal proportions that have a seal to the, Think about how your food containers are made. Some boxes are sold as weather tight, like the Iris brand. Pick a size that you can lift when full, and get enough for your complete collection for ease of stacking. Also when stacking remember books are heavy. If you are stacking the containers be mindful of the weight. Too heavy and the lids will be crushed. It is good to have a few pieces of wood or drywall to put between layers to distribute the weight.

If possible put each book into a ziploc bag and remove the air. If not get a sheet of plastic and wrap them like a gift and put them in.

Remember to number the boxes and list the items inside. Put this on the interior and exterior of the box and also a copy on the drive.

Damp/Mold Proofing

With paper, this is the main issue. Unless you turn all of your books into “bath books” or typed on waterproof plastic. Weather conditions will cause decay.

Silica Gel can be bought in bulk from art supply shops or you can just save all the little packs that come in various food packages. These will help with the humidity and mold issues while things are being stored.  Mylar envelopes can hold smaller books and prints.

 

What can be done after the storms and your collection is wet? Well the professionals at River Campus Libraries have some good ideas. Some are very expensive, but for the layperson the following will help. .

Air-drying: Fewer than 500 non-coated paper books with non‑water soluble components.

  • Cover drying surface with plastic sheeting & absorbent paper (e.g. unprinted newsprint), as needed.
  • Open book to a shallow angle & interleave approximately every 20 pages with paper towels. Begin by laying the book flat & interleaving at the front of the book, allowing the work surface to support the main weight. When interleaving has reached the approximate center of the textblock, turn the book over and start interleaving from the back.
  • The book may be left flat until paper towels have absorbed some of the water, about one hour.
  • Stand book on end (head or tail), slightly fanned.
  • Change paper beneath the books and interleaving periodically until the book is only “damp”, and then proceed to #3.
  • Keep air circulating by using fans. Do not aim fans directly at the wet materials.

 DAMP BOOKS:

  • Cover drying surface with plastic sheeting & absorbent paper (e.g. unprinted newsprint).
  • Stand damp books on head or tail, slightly fanned. If the cover is damper than the text, place absorbent paper between the boards and book, change them as needed.
  • Use fans to circulate air to dry the books completely.

You can read their article on this subject here. https://rbscp.lib.rochester.edu/3246

As for the smell Baking soda is the best. Put some on flat plates all around the storage unit or room and they will absorb the moisture. Also some sprinkled on the books will get rid of the musty smell. Best of all, it brushes right off and the baking soda can be put in your compost or on your garden.

There are no fool proof ways to do this. And better materials are out there and will be produced. The best thing is to do what you can so that your collection and you survive.

Best of luck in the storm seasons.